Reviews
Praise for Iliana Rocha
Praise for Karankawa
“These are the poems of a new fire. Raw fire makes a unique trail as it burns. They are fueled by a passionate, lyrical surrealism. This is a border politics kind of surrealism, emerging from a poetic sensibility in which there are no borders. This collection in essence embodies a fresh kind of creation story emerging from the Americas. It’s like reading Rimbaud for the first time. We are struck by an unabashed presence of a fearless singer.”
—Joy Harjo, judge
“Karankawa is memorable for a streaming imagery that carries us toward a shocking ancestral knowledge that is both intimate and a shout like the old song calling of the Apache. This work is so very strong in terms of the clarity of the messenger and an essential language like telegraph. This is an important and highly original collection of poems. A wonderful book!”
“Karankawa is memorable for a streaming imagery that carries us toward a shocking ancestral knowledge that is both intimate and a shout like the old song calling of the Apache. This work is so very strong in terms of the clarity of the messenger and an essential language like telegraph. This is an important and highly original collection of poems. A wonderful book!”
—Norman Dubie
“There is feast enough here in Rocha’s language, its sensuousness, its sass, its inventiveness, to delight any reader. These poems, rooted in the body and in Rocha’s Texas landscape, imaginatively explore the stories of our origins and the constant transformation of the self. ‘In your history, a tree is rebuilt,’ she writes. A compelling and memorable book.”
—Beckian Fritz Goldberg
“Karankawa is radically honest poetry, never beyond belief, its clarities and mysteries mutually deepening. In these diverse millennial visions arrive a fresh verse, and a vers, a “toward,” from far within. Harrowing revelations that begin then end with the body, brothers and fathers, transfiguring drag queens, broken friends, lost loves, all of us, here, now, creation’s numberless beginnings.”
— William Olsen
Praise for The Many Deaths of Inocencio Rodriguez
“Formally vibrant, Iliana Rocha imagines and reimagines the deaths of the forgotten-Inocencio Rodriguez, AKA John Doe. Through multiple tellings and retellings, the author attempts to perform last rites for those who have received no ceremony. Indeed, the unceremonious deaths of the innocents and of innocence make for a poignant obsession here in a docupoetic kaleidoscope where found knowledge turns and churns into art, magnificent, devastating, and long-lasting. I am transfixed by the way that lyric and narrative are woven into this bold and elegiac tapestry that touches, not only on violent flashpoints but most essentially on the revenants that speak, long after loss, to the resounding failures of our humanity. This is an exquisite book.”
—Oliver de la Paz, judge
“As the granddaughter of a murder victim, Rocha feels we must understand violence in order to stop it. Violence is central to her poetry. In “True Crime Addicts,” she writes of Charles Manson acolytes Susan Atkins, who killed Sharon Tate in 1969, and Squeaky Fromme, who tried to assassinate President Ford in 1975. Rocha writes: “I’ve been elsewhere, researching serial killers & unsolved murders because at least I don’t have to convince myself that this is horror.” She finds empathy for the needlessly murdered as well as those who languish for decades in prison or face execution.”
—George Longenecker
Rain Taxi Revi
“Iliana Rocha’s exquisite book The Many Deaths of Inocencio Rodríguez illustrates how our singular grief becomes amplified when set against the violent tapestry of contemporary America. ‘Where is it safe for us?’ it dares to ask as it navigates yesterday’s harrowing headlines, which continue to resonate in the travesties of today, and which we’ll likely hear again tomorrow. Powerful and poignant, Rocha’s poems give us temporary refuge, each page an occasion to grapple with the troubling stories of our times.”
—Rigoberto González
“The author’s personal experience allows her not only first-hand knowledge of the dark currents surfacing across the continent, but also the authority to speak of them. That she succeeds in doing so with these remarkable, almost daring poems, is proof of her considerable awareness and keen eye. Her sure handling of difficult content is complimented by inspired imagery, and by a solidarity; an empathy, like flowers left at the scene of a crime. Often, on reading of shocking brutality or bleak desperation, it feels as if we are trespassing on a stranger’s grief. But surely, coming up against the sometimes sordid, often heart-breaking reality is like an Act of Witness, and is no more than these victims of fate deserve.”
—Robert Dunsdon
Heavy Feather Review
“With every poem in The Many Deaths of Inocencio Rodriguez, I am reminded of these words: “America, we should all be groping the wounded curves of your atlas,” words that Iliana Rocha includes in her resonant monostich, “AZO Elegy” (82); and like this one-line elegy, Rocha’s newest collection of poems at once grieves with a palpable hurt and speaks truth to power, revealing and confirming what has long been manipulated for profit through tabloids and reality TV or pushed to the periphery of social concern. Rich in imagery and provocative in construction, Rocha’s The Many Deaths of Inocencio Rodriguez is a collection that hits the core of human existence.”
